He has played with Paul Whitemans big band, Benny Goodmans recording groups, Louis Armstrongs All Stars, Ben Pollocks band, countless groups and orchestras, many of them under his own leadership. We were flabbergasted.. See also His widow, Addie, a pioneer woman aviator and big band manager, eventually moved from Broward to South Dade, and then back to Fort Lauderdale, where she lived with Atwell until she died penniless in 1997. Few people realize that Teagarden, known as Tea or simply T, lived his last years in South Florida. And when hed done with that, he started on the blues, still by himself. Teagarden was not a successful band leader, which may explain why he is not as widely known as some other jazz trombonists, but his unusual singing style influenced several other important jazz singers, and he is widely regarded as the one of the greatest, and possibly the greatest, trombonist in the history of jazz. Now she wants to create a Web site and write a book about him, before all those who knew him and heard him play are gone. Sep. 8, 2021. In 1938 he left Whitemans band to form his own. Trombonist Jack Teagarden, right, records with Louis Armstrong, left, in 1948. Come to think of it, that sounds like Jack. In New York, Teagarden became enthralled by Harlems black nightclubs, where he was often invited to join late-night jam sessions. His style was remarkable for its effortless flow of melodic ideas, technical poise, and the tender beauty of its overall effect. We had one drink and Jack dumped that one down his throat before the bartender could reach for the soda. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". Born on Aug. Teagarden left Pollack in 1933, and signed a five-year contract with Paul Whitemans orchestra. The listener knows she is in the presence of something rare and wondrous and magical two spirits soaring to the beat of one drummer, a drummer no one else can hear. Jack Teagarden was among the first white musicians to absorb and project the Negro blues tradition. NEW ORLEANS, Jan. 15 (AP) Jack Teagarden, the jazz trombonist and singer, died today in a New Orleans motel. During the recent Playboy Jazz Festival in Chicago, Teagarden and his gang came into town a couple of days early to help out on promotion for the event (by appearing on TV shows, radio interviews, and even a race track where he blew the call to the post), and to spend some time with many of his old friends who were playing in Chicagos jazz spots, music his element. In the 1930s he was married to and divorced from, successively, Clare Manzi of New York City and Edna Billie Coats. Jack said, When I blow a big noise out of that old horn, then I feel peaceful. Needless to add, the time Jack and his friends spent together was quite often on stand. He said back in May of 1939 he was driving home from NBC after plugging a song he wrote, You Know, Just As Well As I Know.. Size 10.0 Source 78 User_cleaned Bai Konte Johnson User_metadataentered Innodata User 02 User_transferred Jordan Gold [2], He died in New Orleans at the age of 58, suffering from pneumonia.[1]. His style remained the same, even though more and more seams crossed his round, open face. Therefore he has to take something shorter than the original, and make it complete in itself yet not so final that what follows his solo will sound like padding. It was this background that was probably the greatest influence on all of Teagardens work, both vocal and instrumental, and his use of the blues idiom was so convincing that Fletcher Henderson apparently suspected that Teagarden was colored. Lots of clips of Jack, including home movies, as well as interviews with musicians who worked with him, . Who Is Jack Teagarden's Wife? I have run into Jack from time to time, because he never did stop blowing that big sliphorn and he never did stop going to night clubs. It was studded with many highlights. His siblings also became professional musicians: his younger sister Norma played piano, his younger brother Charlie, trumpet, and his brother Clois (Cub), drums. During this period, he was involved in a large number of recordings, with Pollacks orchestra, with other groups, and leading his own sessions. Its theme was his old favorite, I Gotta Right to Sing the Blues.. He sang like he played, one observer said, in a smooth, sleepy Texas drawl. "image": "https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/e0e7e2a4dbeb66bf0ce1964893bdd.jpg", Jazz fans are noted for their fanatical devotion to one jazz movement to the exclusion of all others. He moved to Chappell, Nebraska, with his family in 1918, but by 1921 was back in Texas playing with Peck Kelleys Bad Boys. Benny Goodman and His Orchestra - Vocal Refrain by Jack Teagarden. Jack Teagarden made the trombone sexy, and his pliant, lazy tone made the instrument swing like a trumpet. He originally planned to join Whitemans ensemble but happened to hear Ben Pollacks band first. Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong. As a subscriber, you have 10 gift articles to give each month. Its the closest thing in print to hearing Teagarden play. These days, he leads his own combo, one he has traveled successfully with to the Far East for the U.S. State Department. Eddie said, Why dont you record my song? And thats what Teagarden did. He teamed up with Louis Armstrongs All-Stars for some classic recordings in the late 1940s and formed the Jack Teagarden All Stars Dixieland band in 1951. She became a fighter for integration in Broward in the 60s, and active in civic affairs. Fort Lauderdale civic activist Vernajean Atwell, stepdaughter of noted trombonist Jack Teagarden plays with her adopted dogs. He was an inventor, redesigning mouthpieces, mutes, and water valves A bulky, sadfaced man with a husky baritone voice, Mr. Teagarden was one of the few musicians whose work aroused enthusiasm among all the splinter groups in contemporary jazz. In the 1950s, he recorded six albums for Capitol, and they are reissued in full . Only the very rare exceptions are universal favorites among fans of all schools. His mother gave him early piano lessons, and his father, a bit of a musician himself, presented Jack with a trombone on his seventh Christmas. Since much of Teagardens best work was as a sideman rather than a leader, many of his best recordings are included in collections of other artists work. It was a steady, well-paying job, for which Teagarden was apparently grateful; he seems to have been perpetually unlucky with both women and money, and had already experienced some personal financial problems. Traveling with Teagardens band, with her mother as band manager, Atwell remembers 21 straight days of one-night stands, playing in three states in one week, driving as much as 300 miles to play the next nights engagement. He played the last six weeks of the tour with a serious hernia, but refused to undergo surgery until the commitments had been filled and all his dates had been played. Teagarden has appeared in movies, has sung on the air and on TV, and has recorded actually thousands of sides. He went, it appears, to superhuman lengths to live up to what he has stated to nearly interviewer: I try to play what people like. Generally, what people seem to like is Teagarden. His brothers, Trumpeter Charlie and drummer Clois, have played on stand with him, off and on during the decades Jack has been blowing jazz. Mr. Teagarden was mystified by the scholarship and arcane terminology that critics brought to bear on his work.Polyphony, flatted fifths, half tones, he once said, they don't mean a thing. He was also a great jazz singer, charming and warm, with influences from the African American blues singers he listened to while growing up in Texas. And wherever he is now, I hope the guy from Texas has a big sliphorn to make that noise that brings him peace. Later, searching for style and a kind of watering spa for his ideas, he drew from the blues a source of depth that makes his brand of Dixieland distinctiveand clearly divided from any other. His father played trumpet, as did brother Charlie, while brother Clois played drums, and sister Norma played piano. Early in 1964 Teagarden cut short a performance in New Orleans because of ill health. Though he was extremely shy, he talked freely with her. After years of hard touring and Miller and Teagarden collaborated to provide lyrics and a verse to Spencer Williams' "Basin Street Blues", which in that amended form became one of the numbers that Teagarden played until the end of his days. Teagardens recorded work as a trombone soloist is considered very consistently high quality, but the following are often mentioned in particular: Knockin a Jug (1929, with Louis Armstrong), Shes a Great, Great Girl (with Roger Wolfe Kahn), Makin Friends and Thats a Serious Thing (1928, with Eddie Condon), The Sheik of Araby (1930, with Red Nichols), Beale Street Blues (1931, with Joe Venuti and Eddie Lang), Jack Hits the Road (1940, with Bud Freeman), and St. Trains, hotels and restaurants often refused them service unless they split up. More recently, she founded the Progressive International Civic Association, which lowered the crime rate in her inner-city neighborhood by 40 percent in two years. With his sextet, he covered a circuit extending from Hong Kong to Okinawa with concerts in Bombay, Colombo (Ceylon), Tokyo, and Karachi (Pakistan). Soundtrack: Reminiscence. Of this venture, nothing but praise-both musical and personal-rang from every port of the bands call.
something many trombonists emulated. Known affectionately as Mr. And although his playing style was also technically brilliant, featuring difficult techniques such as lip trills, his laid-back, vocal style of delivery " often described even as a lazy sound " effectively disguised his technical proficiency (lazy and lightning-quick(. For several years, however, Jack continued to play with local groups. Among the many tunes which are his are Basin Street Blues (he and Glenn Miller combines on the lyrics of the now-famous blues, although neither is credited on the sheet music), Stars Fell on Alabama, Pennies From Heaven, Rockin Chair, and Ive Got a Right to Sing the Blues. The two musical geniuses, whose mutual admiration knew no bounds, play those horns united in soul and sound. Made in 1962, precisely two years before his death, it reflects much that was important about the man and musician; the uncanny precision and languorous passion of his trombone playing, the intimacy . My cymbalom player was truly a fine artist but he did not protest his ignoble reduction to book binding. At sixteen Teagarden first played the trombone professionally, at a concert near San Antonio as a member of Cotton Baileys dance and jazz band. One of the classic giants of jazz, Jack Teagarden was not only the top pre-bop trombonist (playing his instrument with the ease of a trumpeter) but one of the best jazz singers too. On the spot, Teagarden invents a beautiful, original melody, with some brief references to the familiar tune, but one that is very superior to it in almost every way. He really blew it. His voice is midway between a heavy drawl and an outright yawn. He joined the Peck Kelly band in 1921, when he was sixteen years old, and hasnt been off the scene since. He was such a fine musician that younger brother Charlie (an excellent trumpeter) was always overshadowed. Yet, despite his technical facility and a near phenomenal originality that marks his improvisations, Jack Teagardens life was, up until 1947 when he joined Louis Armstrong, a great deal short of ideal. His father, an amateur comet player, worked in the oilfields, and his mother was a local piano instructor and church organist. by Clarence Williams Blue Five. Though Vernajean Atwell was a toddler at the time and Teagarden is actually her stepfather, my earliest memories are of him taking care of me. I was outraged. In 1927, he went to New York City where he worked with several bands. This article about a United States jazz musician is a stub. Also Teagarden tuned the two available pianos in the remote city of Kabul, Afghanistan, where most of the populace had never seen brass musical instruments before. Im sorry Hes gone. He has a disposition as easy-going as the languid phrases he blows so often, and as sunny as the warm grin which cracks his face into scores of merry wrinkles. It isnt only that I like to sing, but people come to the stand, wanting me to sing, but people come to the stand, wanting me to sing particular tunes. All these guys were just my fathers friends, she says now. One moment, you will be redirected shortly. Show less, One Night Only! His father was an amateur brass band trumpeter and started him on baritone horn; by age seven he had switched to trombone. Updates? Digitized at 78 revolutions per minute. He left Armstrong and formed the Jack Teagarden All Stars Dixieland band in 1951. Among the vintage giants of jazz, Jack port Teagarden had not been only the very best pre-bop trombonist (taking part in his instrument using the simple a trumpeter) but one of the better jazz performers too. and inventing a new musical slide rule. And when he placed his arm around the younger Goldies shoulder, there was genuine affection in the embrace. In past due 1933, when it appeared as though jazz could not capture on commercially, he authorized a five-year agreement with Paul Whiteman. On short notice, he joined Roger Wolfe Kahn's orchestra for a recording datewearing the largest hangover on Manhattan Island, Kahn recalled later, yet reading the arrangements like a veteran and booting out a pair of choruses which were mildly sensational.. Fort Lauderdale civic activist Vernajean Atwell already took part in making this documentary of her fathers life. Teagarden had a mechanical bent and a life-long interest in tinkering with things, and he invented the water glass mute effect, in which the bell section of the trombone is removed and an empty water glass placed over the end of the instrument tubing (of the mouthpiece section). "url": "https://www.allaboutjazz.com/musicians/jack-teagarden" The following year the family moved to Oklahoma City. The authors favorite Teagarden chorus (and everyone who professes a liking for jazz must have at least one favorite Teagarden chorus) is the one Jack plays on Jack Hits the Road, recorded for Columbia some twenty years ago, In it, Teagarden neatly demonstrates the things to come on his instrument. He was also an outstanding jazz singer. No accompanist, just neat. We have been all over this silly town. Although gifted with an amazing technical virtuosity, the curiously mixed scale of feeling Teagarden draws from his horn has its origin in this childhood heritage. The Texas town in which Teagarden grew up had a large black population, and he must have heard spirituals, work songs, and blues from a very early age; in fact, revivals were commonly held within earshot of his home. Although he once sang a blues line that testified he was born in Texas and raised in Tennessee. Pollack's recordings were Teagarden's first. 2023 Jack Teagarden - All Rights Reserved. The New Grove Dictionary of Jazz, for one, calls him the finest of all jazz trombonists.. He wouldnt be Jack Teagarden if it came out any other way. Another interesting aspect of the recordings of this period is that they show very clearly that, unlikely many other jazz musicians of the time, Teagarden was a true improviser, giving notably different solos on different takes of the same piece " even when the recordings were made on the same day. Biography
In segregated America, their friends feared it would damage the two mens careers. Mole also specialized in technically spectacular playing, with staccato phrasing, big leaps, and surprising note choices. Beginning on trombone at age seven, Teagarden was entirely self-taught. "The Best Trombone Player in the World", by, Red Allen, Kid Ory & Jack Teagarden at Newport, "Jack Teagarden Is Dead at 58; Jazz Trombonist and Vocalist; Some Critics Considered Him a Genius His Technique Was Largely SelfTaught", Discography of American Historical Recordings, https://en.wikipedia.org/w/index.php?title=Jack_Teagarden&oldid=1149760367, This page was last edited on 14 April 2023, at 07:56. I feel that I did some good for America.. Jack got his first big break in a strange way. The masterful Teagarden was an American original whose style and vocals epitomized authenticity both in their execution and sound. Jacks brother, Charlie Teagarden, played trumpet off and on in Jacks bands and did freelance work for several well-known bandleaders, including Paul Whiteman, Jimmy and Tommy Dorsey, and Bob Crosby. Crosby helped Teagarden deal with his financial complications, and from 1947-1951 he was a celebrity sideman with Louis Armstrongs All-Stars; their collaborations on Rocking Seat are traditional. I went to the kitchen to say hello. Unfortunately, this band also cannot really be considered a success. He was identified with such tunes as I Gotta Right to Sing the Blues, St. Looks like we don't have salary information. Like many jazzmen of the last era, his ups and downs were of the extreme kind, and success, both financial and popular, was all too often the unwilling bedfellow of failure. He [2] According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". The fact that jazz personalities share with Broadway, Hollywood, etc., a dependence upon the momentary enchantment of mass-minded America is an irony in itself, although perhaps one of the lesser ironies. Mr. Teagarden was responsible, in the late twenties, for an addition to jazz folklore. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60. One source reports that Tommy Dorsey specialized in sweet ballads specifically because he felt his jazz was inferior next to Jack Teagarden and that Glenn Miller de-emphasized his own trombone playing after a stint playing beside Teagarden in Pollacks orchestra. He was also among the first white jazz musicians to record with black players. In the Pollack band, in particular, he worked with some of the most famous jazzmen of the time, including Benny Goodman, Bud Freeman and Jimmy McPartland. I gotta keep moving., So we grabbed a taxi and rode over to a shoddy little cabaret. While shaking his head in amazement at the creative prowess of the trombonist, Williams also delineated some of the mans superb talent. Structural Info Facts Pictures Filmography Known for movies Atwell has never forgiven the media for that. Teagarden particularly made some noteworthy contributions while working at this time with Eddie Condon. Teagarden also had a remarkable voice. Teagarden toured china and taiwan during 1958-1959, teamed up one final time with Eddie Condon for the television present/recording program in 1961, and acquired a heartwarming (and thankfully documented) musical reunion with Charlie, sister/pianist Norma, and his mom on the 1963 Monterey Jazz Celebration. Jack started on piano at age five (his mother Helen was a . Charlie Teagarden (July 19, 1913 - December 10, 1984), known as 'Smokey Joe', was an American jazz trumpeter. His wife is Adeline Barriere (1942 - 15 January 1964) ( his death) ( 1 child), Billie Coates (1938 - 1941) ( divorced), Claire Manzi (1930 - 1936) ( divorced), Ora Binyon (1923 - 1930) ( divorced) ( 2 children) Jack Teagarden Net Worth His net worth has been growing significantly in 2021-2022. Ben Pollack invited him to join his orchestra in 1928, and that year Teagarden recorded the first of what would be scores of records,Just Roll Along. The Teagarden brothers (Jack and trumpeter Charlie) are generally considered the only interesting jazzmen to have been part of it, and yet Jack also felt a little out of the limelight. Looks like we don't have quotes information. Born: August 20, 1905Died: January 15, 1964. His technical approach in particular was quite unorthodox. Visiting band leader Paul Whiteman heard the group there and offered Teagarden a position in his New York orchestra. There is a select inner circle whose musicianship has defied the censorship of shifting fashions, and through a special sort of genius created for themselves a vast, impressive symbol synonymous with their name and art. From a jazz-oriented family. Los Angeles-based La Santa Cecilia is really a Latin group that pulls inspiration from all , Your email address will not be published. - Jack Sohmer. Louis Armstrong, Benny Goodman, Red Nichols and Eddie Condon. We had to agree with Pee Wee, wed never heard anyone play trombone like that. After two months with the Tommy Gott Orchestra Teagarden secured a position in Pollacks organization, where he beat Glenn Miller for the seat of first trombone. Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you. While the legal issues are being sorted, the documentary, calledTime for T, has been shown only at jazz festivals and has not been released to the public. Even while playing with big bands, he recorded with small units led by Mr. Nichols as often as possible. His health grew worse and he suffered recurring bouts of flu and pneumonia. He had been playing baritone and trombone for nine years in his school band when at age 16 he walked into the club where Peck Kelley, the pianist, was rehearsing his band. I love that big lug and I just want him to save some of his money!. Tall, gangling, his horn wrapped in newspaper, Teagarden asked for an audition. Atwell was only a child then, traveling with the band when she could. Louis Armstrong and his band were my second family. Jack Teagarden (born August 20, 1905, Vernon, Texas, USA - died January 15, 1964, New Orleans, Louisiana, USA) was an American jazz trombonist, bandleader, composer and vocalist. He was buried in Los Angeles. The tune is one that we all know well (which is a help, of course, and one that Teagarden assumes), and, for his part of the performance, Jack gets just the first half of the length of tune, right after Armstrongs vocal course. He was also a great jazz singer, charming and warm, with influences from the African American blues singers he listened to while growing up in Texas. Jack was given piano lessons when he reached the age of five. He is generally considered the greatest jazz trombonist ever. Jacks fluency on the trombone has continued to amaze everyone. Weldon Leo Teagarden was born in Texas and raised in Oklahoma. As mentioned above, by the summer of 1928, Teagarden was playing with Ben Pollacks orchestra, and he stayed with Pollack, performing and recording, for nearly five years. Genres: Swing, Vocal Jazz, Dixieland. And as he drove along another car hit him from the rear. Mother Helen was a ragtime pianist. The world of jazz, like any part of show business, suffers as much from public fickleness as does, say, the bumbling lyrics of a Presley or Fabian (although one approaches art, the other embraces the soul of rockn roll). I got to keep moving., Finally, in the sixth successive joint, I demurred. I asked, Do your really want a fur coat that much?, She stared and then she laughed bitterly. He had 14 side men in his band and the band fronted a stage show you could get in to see for 85 cents if you had 85 cents, which not many people did. His movies included Birth of the Blues (1941). JP Jazz Archive /Redferns. In 1918, after his fathers death, the family moved to Chappell, Nebraska, where he and his mother again worked in the local theater. He was considered by many to be the greatest jazz trombonist of his era, but his style was so unusual that others did not follow his example. He was an inventor, redesigning mouthpieces, mutes, and water valves and inventing a new musical slide rule. 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